Department of English Gymnasium Steglitz Berlin |
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The Sound of Silence by Simon & Garfunkel |
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| Simon & Garfunkel Sound Of Silence Hello darkness, my old friend I've come to talk with you again Because a vision softly creeping Left its seeds while I was sleeping And the vision that was planted in my brain Still remains Within the sound of silence In restless dreams I walked alone Narrow streets of cobblestone 'Neath the halo of a street lamp I turned my collar to the cold and damp When my eyes were stabbed by the flash of a neon light That split the night And touched the sound of silence And in the naked light I saw Ten thousand people, maybe more People talking without speaking People hearing without listening People writing songs that voices never share No one dare Disturb the sound of silence "Fools," said I, "you do not know Silence like a cancer grows Hear my words that I might teach you Take my arms that I might reach you" But my words like silent raindrops fell echoed in the wells of silence And the people bowed and prayed To their neon god they made And the sign flashed out its warnings In the words that it was forming And the sign said "The words of the prophets are written on the subway walls tenement halls" whisper'd in the sounds of silence |
Biographical details and the songs
context The song "The Sound of
Silence" was written by Paul Simon in the early sixties, but first published only on
19th February 1964. It took Paul Simon about two years of writing and rewriting
it until he would perform his final version. First stanza The first stanza shows that the person who speaks to us is a
poet (1st line) and that he stands outside from society, since he mentions that
he does not have anyone else to talk to except the darkness, which at the same time
symbolizes the loneliness. Even then he can only communicate in his dreams and visions,
and his dreams, as later explained, are those of a better world where people are able to
communicate not only on a basic level. Second stanza In the second stanza it becomes finally clear that this a
song about alienation and loneliness, when the singer describes how he walks through dark
streets. The "restless" dreams tell us that this person does not consider
dreaming as something positive, as already assumed in the last paragraph. There are many
symbols for loneliness in a city, e.g. the "narrow streets". In the original
version even the emphasis lies on the word "alone". |
| Third stanza The "naked light" stands for its ability to reveal things that were
hidden before, and therefore it presents to the reader or listener this situation which is
so obvious for the author. It also reflects the content of the last stanza. Fourth stanza Here, the singer starts actively (not only with words, but
with deeds) to help those people recognize what is going wrong and tries to take them by
the hand and guide them, but they would not follow. Fifth stanza The failure to communicate is the peoples own fault,
Simon says, when he tells the reader that they are praying to a "self-made" neon
god. Again, we have the example of neon as something negative, even destruction, whereas
usually light is used as a symbol to show hope. In general "This song uses the imaginary of light and darkness to show how ignorance and apathy destroy peoples ability to communicate even on a simple level. The light which should symbolize truth and enlightenment is destructive, painful force with metaphors of stabbing, flashing- even worshipping a false neon god." (Simon and Garfunkel- The Definitive Biography by Victoria Kingston, Sidgwick & Jackson, 1996) This is the summary of the main themes of "Sound of
Silence": Light, which is also often linked with truth, is used as a very strong
weapon, e.g. like a knife. Someone said it is also about the insularity of a big city for
somebody who has just recently moved there and does not find comfort there. People become
immunised against each other and everything it very impersonal and foreign, they are
unable to convey their feelings to each other and do not feel the need to do so. © T.L. (2004) |
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